{"id":135912,"date":"2024-06-21T16:39:38","date_gmt":"2024-06-21T14:39:38","guid":{"rendered":"https:\/\/www.unirufa.it\/?page_id=135912"},"modified":"2025-06-06T14:30:28","modified_gmt":"2025-06-06T12:30:28","slug":"annual-report-2022","status":"publish","type":"page","link":"https:\/\/www.unirufa.it\/en\/annual-report-2022\/","title":{"rendered":"Annual Report 2022"},"content":{"rendered":"
\n

\n

We have reached the seventh edition of the RUFA Annual Report.<\/h2>\n

After celebrating the 20th anniversary of the Academy and experiencing the uncertainties, visions, and transformations of the COVID period, we now find ourselves at a new beginning<\/strong>. Symbolically, the number seven marks the completion of the sequence, the last link in the rhythm of human cycles<\/strong> (days of the week, colours, notes, etc.).\n<\/div>\n\n

\n

The Academy has changed; it acquired a new large campus in 2022 and is continually expanding in Rome and Milan, welcoming more international students and courses.<\/h3>\n

The 2022 Annual Report aims to be, true to its nature, a volume dedicated to self-analysis. Where are we? Who are we? How many of us are there and what roles do we play? How far have we come? How do we interpret creativity today? And society? Where are we heading?<\/em><\/p>\n

To answer these questions, we must first observe, collect data and information, and analyse them. Therefore, the intention is to develop a visual analysis that incorporates both quantitative and qualitative data, focusing on human-centric data. Photography, illustration, and typography become tools of investigation rather than storytelling, of exploration rather than discovery. Each individual can then draw their own more informed conclusions.<\/p>\n<\/div>\n\n

\n

Specifically, as emerged in the meeting of 2 May, we organise the volume in this way: after the disorientation caused by the internal and external epochal changes, it is crucial to answer the questions WHO ARE WE?<\/strong> WHERE ARE WE NOW?<\/strong> The answer that considers all the souls that make up the Academy is QUALITY<\/strong>. We are quality. We strive for quality.
\nThe new places, new structures, new names leading everything, everything that has remained the same and\/or changed needs to be told, with courage and completeness, through a WARM<\/strong> narrative (in introductions, pre-section covers, and events), contrasted with the NEUTRAL<\/strong> data that outlines RUFA\u2019s journey over these 7 years, since the inception of the ANNUAL REPORT<\/strong>.<\/p>\n<\/div>\n

\n

View publication<\/a> <\/p>\n<\/div>\n

 <\/p>\n

\n
\n

CREDITS<\/h3>\n<\/div>\n
\n
Editorial project<\/h6>\n

\nGuido Lombardo
\nCristiana Pagnottelli\n<\/p>\n

Content supervisor<\/h6>\n

\nFabio Mongelli\n<\/p>\n

Design<\/h6>\n

\nIntorno Design
\nGuido Lombardo
\ncreative direction<\/small><\/p>\n

Davide Luccini
\ngraphic design, layout and typesetting<\/small><\/p>\n

Francesco P. Incantalupo
\n data visualization <\/small><\/p>\n

Federico Mauti
\n dataviz assistant <\/small><\/p>\n

Alessandro Zingone
\n graphic design assistant <\/small><\/p>\n

Davide Paolini
\n graphic design assistant <\/small>\n<\/p>\n

Producer<\/h6>\n

\nCristiana Pagnottelli\n<\/p>\n<\/div>\n

\n
Illustrations<\/h6>\n

\nFrancesco Fidani
\nGiulia D’Andrea
\n erasmus page illustration <\/small><\/p>\n

Italo Maria Merluzzi
\n draft assistant <\/small><\/p>\n

Olivia Gaone
\n color assistant\/small>\n<\/p>\n

Portrait Photo<\/h6>\n

Stefano Compagnucci
\nMaria Vittoria Pecchioli<\/p>\n

Postproduction<\/h6>\n

Christian Rizzo<\/p>\n

Text Editor<\/h6>\n

Alessandra Giacomelli<\/p>\n

Contents translator<\/h6>\n

Claudia Vitali<\/p>\n

Visual Content Editors<\/h6>\n

Lisa Romanato
\nBeatrice Vio-Genova<\/p><\/div>\n

\n
Photo contributors<\/h6>\n

Claudia Rolando
\nMarta Ferro<\/p>\n<\/div>\n

\n
Grazie a<\/h6>\n

Tutti gli uffici RUFA<\/p>\n

Typeface<\/h6>\n

Typeface
\nSempione
\nTipiblu, 2009-2019
\nCAST<\/p>\n

Printed on<\/h6>\n

Favini papers<\/a>
\nDolce Vita White
\n120 g\/m2 (pages)
\nTokyo light grey 350 g\/m2 (cover)
\nTokyo black 120 g\/m2 (jacket)<\/small><\/p>\n

Printing<\/h6>\n

Tiburtini srl<\/a><\/p>\n


\nThe RUFA Annual Report 2022 has been organized thanks to the precious contributions of Favini papers division and Tiburtini Srl, who have respectively provided the paper and printed the publication.
\n<\/small><\/p>\n<\/div>\n<\/div>\n

 
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We have reached the seventh edition of the RUFA Annual Report. After celebrating the 20th anniversary of the Academy and experiencing the uncertainties, visions, and transformations of the COVID period, we now find ourselves at a new beginning. Symbolically, the number seven marks the completion of the sequence, the last link in the rhythm of…<\/p>\n","protected":false},"author":39,"featured_media":135919,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"content-type":"","footnotes":""},"class_list":["post-135912","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nAnnual Report 2022 - RUFA - Rome University of Fine Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.unirufa.it\/annual-report-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Annual Report 2022 - RUFA - Rome University of Fine Arts\" \/>\n<meta property=\"og:description\" content=\"We have reached the seventh edition of the RUFA Annual Report. 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