


{"id":14224,"date":"2017-11-18T10:02:41","date_gmt":"2017-11-18T10:02:41","guid":{"rendered":"https:\/\/www.unirufa.it\/?p=14224"},"modified":"2020-11-16T15:57:13","modified_gmt":"2020-11-16T14:57:13","slug":"franco-simongini-nasce-unopera-darte-rassegna-allaccademia-belle-arti-roma","status":"publish","type":"post","link":"https:\/\/www.unirufa.it\/en\/2017\/11\/18\/franco-simongini-nasce-unopera-darte-rassegna-allaccademia-belle-arti-roma\/","title":{"rendered":"Franco Simongini. How a work of art is born. A review at the Academy of Fine Arts in Rome."},"content":{"rendered":"An important occasion for the students of the academies to know the work of the director and journalist Franco Simongini. The Academy of Fine Arts in Rome, in collaboration with Rai Teche, presents &#8220;Come nasce un&#8217;opera d&#8217;arte&#8221;, a video review dedicated to the most interesting art documentaries made between 1969 and 1991 for RAI by the director and critic Franco Simongini (Rome 1932-1994).<br \/>\n&#8220;He was a journalist with broad views. He was able to listen, granting the maximum freedom and then<br \/>\nof course, when the service was recorded on film, he skillfully &#8216;fixed&#8217; it. Simongini<br \/>\nworked on the editing: he was perfectly liberal, had neither prejudices nor points of view<br \/>\npreconstituted. His questions, then, were always very simple, so that they could be understood by everyone.<br \/>\nTelevision must be understood by people; if it becomes abstruse, it is useless&#8221;. So Federico Zeri, his<br \/>\ncollaborator and friend, described Simongini in his open and creative relationship with artists, aimed at an intelligent and free diffusion of contemporary visual language through the television medium.<br \/>\nThe most significant series of documentaries made by Simongini for RAI are: Ritratto d&#8217;autore (1971-1977), conceived as a look at the life and creative activity of the artist, in an open dialogue in which experts, students and studio audiences intervene together with the presenter and the artist; Artisti d&#8217;oggi (1974-1993), a series of portraits constructed through long interviews, in which the camera &#8211; while the author &#8220;confesses&#8221; &#8211; frames details of the face and hands, alternating them with the close-ups of his works; Come nasce un opera d&#8217;arte (1975-1976), aimed at presenting the artists in the studio, revealing through their words and the phases of the work the formative process of the work.<\/p>\n<p>Program of the projections<\/p>\n<p>November 21st<br \/>\nat 12: Giorgio de Chirico. The Mystery of the infinite (1974)<br \/>\nfrom hours 16: Giorgio de Chirico. The Sun on the easel (1975)<br \/>\nHenry Moore (1972)<br \/>\nGiacomo Manz\u00f9: The portrait of Miletus (1975)<br \/>\nMarino Marini: The happiness of sculpture (1974)<\/p>\n<p>November 22nd<br \/>\nAcademy 1: excellent teachers and students<br \/>\nfrom 11 am: Ferruccio Ferrazzi and the encaustic (1991)<br \/>\nMino Maccari (1989)<br \/>\nRenato Guttuso: Still Life with Peppers (1975)<br \/>\nfrom 16:00: Franco Gentilini: The girl in the Piazza dei Miracoli (1975)<br \/>\nLuigi Montanarini (1979)<br \/>\nGiulio Turcato (1984)<br \/>\nAlberto Ziveri (1983)<\/p>\n<p>November 23rd<br \/>\nAcademy 2: excellent teachers and students<br \/>\nfrom 11 am: Pericles Fazzini: The Resurrection in the Vatican (1978)<br \/>\nMario Ceroli: The shadows (1987)<br \/>\nVenanzo Crocetti (1984)<br \/>\nfrom 3 pm: Emilio Greco (1973)<br \/>\nLorenzo Guerrini (1979)<br \/>\nUmberto Mastroianni (1983)<br \/>\nPine Pascali (1973)<\/p>\n<p>November 24th<br \/>\nfrom 10,30 am: Intervention of Enrico Crispolti<br \/>\nAlberto Burri. The adventure of research (1986)<br \/>\nDorazio explains Dorazio (1991)<br \/>\nAchille Perilli (1991)<br \/>\nfrom 3 p.m.: Renzo Vespignani (1976)<br \/>\nRiccardo Tommasi Ferroni (1977)<br \/>\nEnnio Calabria (1984)<br \/>\nEnzo Cucchi (1984)<br \/>\nMario Schifano (1987)","protected":false},"excerpt":{"rendered":"<p>An important occasion for the students of the academies to know the work of the director and journalist Franco Simongini. The Academy of Fine Arts in Rome, in collaboration with Rai Teche, presents &#8220;Come nasce un&#8217;opera d&#8217;arte&#8221;, a video review dedicated to the most interesting art documentaries made between 1969 and 1991 for RAI by&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.unirufa.it\/en\/2017\/11\/18\/franco-simongini-nasce-unopera-darte-rassegna-allaccademia-belle-arti-roma\/\" title=\"Read Franco Simongini. How a work of art is born. A review at the Academy of Fine Arts in Rome.\">Find out more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[940],"tags":[502,1267,1268],"class_list":["post-14224","post","type-post","status-publish","format-standard","hentry","category-cinema-photography","tag-accademia-di-belle-arti","tag-rassegna","tag-simongini"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Franco Simongini. How a work of art is born. 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