Discover the universal language of painting. With RUFA’s three-year Bachelor’s programme in Painting, you will learn to connect tradition and contemporary practice, developing your identity as a visual artist and building a professional path that combines art, technique and innovation.
Painting
First-Level Academic Diploma, equivalent to a three-year Bachelor’s degree.
DURATION > 3 YEARS
LANGUAGE > ITALIAN
COURSE START > OCTOBER
LOCATION > ROME
Art, Technique and Contemporary Vision
You will become a visual artist with a solid background in painting, graphic techniques, photography and contemporary arts. You will be able to work in the fields of visual arts, fine art printmaking, curating, exhibition spaces and art publishing.
Fields of Study

VISUAL ARTS
Solid art, born from the fusion of plasticity and technique, and expressed as a universal language between form and thought. In this field, you will explore classical and contemporary studies, the analysis of aesthetic principles and the search for balance between form and substance, building a comprehensive and multidisciplinary education through art history, graphic arts, drawing, photography and audiovisual techniques.

PAINTING
The course guides students in developing a personal and coherent artistic path. Through drawing, photography, visual archives and experimentation with materials and methods, the research engages with art history and contemporary society, giving shape to conscious, critical and independent projects.

ART MANAGEMENT
From nineteenth-century Salons to contemporary practices, you will explore the history of curating and the evolution of the art system: galleries, museums, happenings and participatory works. You will learn how to build a portfolio, write an artist statement and take part in a Studio Visit with a curator.
QUALIFICATION
Bachelor of Arts, equivalent to a three-year Bachelor’s degree 180 CFA credits
FUTURE CAREERS
- Visual Artist
- Illustrator
- Curator or Collaborator in Contemporary Art Galleries and Museums
- Art Event and Exhibition Organiser and Producer
- Exhibition Designer
MAIN SUBJECTS
- Painting
- Drawing for Painting
- Special Graphic Techniques
- Visual Arts Techniques and Technologies
A study method designed for you

LEARNING BY DOING
In RUFA, you learn by doing. Alongside the solid foundation of a university-level education, you will develop a hands-on approach that allows you to work on real projects, experiment, and build immediately applicable skills. Each course helps you transform ideas into prototypes, artworks, videos, concepts, installations, or products.

EXTRA DIARY
Workshops, laboratories, exhibitions, talks, and collaborations with companies are an integral part of the learning experience. The classroom opens up to the professional world and becomes a space where you engage every day with professionals, creative directors, artists, and designers. This allows you to understand how the industry you want to grow in truly works.

RESEARCH AND CROSS-POLLINATION
Every discipline becomes a space for experimentation. RUFA encourages you to blend languages, visions, techniques, and tools, combining artistic tradition with technological innovation. Here, you can explore, experiment, create connections, and find your own creative identity.
Requirements
ITALIAN STUDENTS
- High School Diploma
EU AND NON-EU STUDENTS
- High school diploma valid for the Italian higher education system
- B2 certificate in the language of the course
Following admission, NON-EU students will be required to start the procedure for obtaining a study visa.
Study plan
The RUFA Three-Year Academic Diploma requires the acquisition of 60 academic credits for each academic year.
To obtain the qualification, students must complete the entire study programme, achieving a total of 180 CFA (Academic Formative Credits).
Attendance is compulsory for all classes at RUFA’s campuses.
| SUBJECT | ECTS | HOURS |
|---|---|---|
|
Knowledge of the human body and its representations in visual arts: normative study of the morphological, physiological and physiognomic characteristics of the individual. Drawing the human body, both in classical and modern times.
| 10 | 125 |
|
Development of a personal research through the study of the relationship between a white sheet, intended as a space to compose, and the volume of a shape. Class exercise with a model: observation of the subject.
| 8 | 100 |
|
Photography as a representation and communication tool, but above all a research tool. Practical exercises and critical analysis of the works. Knowledge and awareness of the medium. Introduction to historical and theoretical aspects.
| 8 | 100 |
|
The history of European art from the late fifteenth to the early twentieth century: basic preparation on the fundamental art styles and languages of the period analyzed. Constant comparisons between the works of art throughout the different eras.
| 6 | 45 |
|
Reflection on images through an experimental approach that involves philosophy, psychology, anthropology, history of art and image theory.
| 6 | 45 |
|
Development of the ability to build a coherent and personal art journey through experience. Creation of an archive to draw from made up of drawings, photos, texts. Material and method experiments to create a work of art.
| 12 | 150 |
|
First approach to art printing and the artist's book. Chalcography and letterpress printing through the use of various types of supports and materials (linoleum, wood, plexiglass, zinc, copper) and techniques. Creation of a plaquette or a personal artist's book.
| 6 | 75 |
|
Digital processing to develop the expressive potential of the image: software study for photo editing and graphic design.
| 4 | 50 |
| SUBJECT | ECTS | HOURS |
|---|---|---|
|
History of the main avant-gardes of the early twentieth century: Futurism, Dadaism, Abstractionism, Cubism, Expressionism and Surrealism. History of the avant-gardes of the late twentieth century: from Paris to New York, Situationism and the resistance of European criticism, the persistence of the avant-garde in the Italian neo-avant-gardes of the 1960s.
| 6 | 45 |
|
Creating a connection with the history of art and acquiring critical thinking skills towards society to pursue art research in the most appropriate and personal way. Realization and development of different projects, through presentations and class discussions.
| 12 | 150 |
|
Experimenting with the art of illustration applied to different sectors: from illustrated books, to editorial illustration for magazines. Developing a personal taste and style. Laboratory activities: the realization of short editorial projects for different targets. The dynamics of storytelling.
| 6 | 75 |
|
Direct experimentation with painting techniques, materials and tools related to it. Acquisition of knowledge of the close relationship between the choice of materials, the processes and the language to be used. Production of final papers using different methods and a presentation sheet.
| 6 | 75 |
|
Observing printmaking throughout history through the avant-gardes and by studying its contemporary value. Personal research within galleries and public collections. Etching techniques. Lithographic, traditional and experimental techniques. The monotype: technical methods.
| 6 | 75 |
|
Understanding and defining the potential of a workspace, seeing art practice as one with the space. Within the course the student will enhance the potential of a work within a defined space, including and designing Site-Specific installation works in different environments.
| 8 | 100 |
|
Exhibition of a brief history of curatorship, from the nineteenth-century Salons to the present day. Historical analysis of the art system: from the birth of galleries, museums, happenings, to art that involves the viewer. Writing a portfolio with a statement and developing the ability to entertain a Studio Visit with a curator.
| 6 | 45 |
|
Development of expression and speech skills through the study of the main grammatical structures. Practical comprehension exercises by reading texts and watching films and videos.
| 4 | 30 |
| Elective educational activities | 6 | / |
| SUBJECT | ECTS | HOURS |
|---|---|---|
|
History of art from the postwar period to today: themes, techniques, media, topics, protagonists and methodologies. Analysis of the birth of new languages and the lyrical, technical and content evolution of pre-existing languages. Critical analysis of a work of art and its spatial value and content.
| 6 | 45 |
|
The Aesthetics in art and cinema. The general meaning of the concept of Aesthetics. Focus on the theoretical aspects related to knowledge by object and subject. The decline of the concept of style and the advent of the technical age. Analysis of the poetics of artists such as Manet, Cezanne, Klee, Mondrian, Malevic, Picasso, Duchamp, Pollock, Bacon, De Chirico, Rothko, Burri, Warhol.
| 6 | 45 |
|
Development and deepening of the artistic research already started in previous years. Taking care of the various aspects of the medium and paying greater attention to the design development of the works, the various materials and techniques, while being consistent with the artistic journey undertaken.
| 12 | 150 |
|
Multimedia as a concept: opening up to a different approach and relationship between the various artistic fields. Definition of performance as a unique process in the field of artistic thought. Creation of a final paper documented through photographs and videos.
| 6 | 75 |
|
Consolidation of the knowledge gained during the first year (etching, soft varnish, xylography, lithography, etc.). Acquiring a personal form of expression, also through the use of experimental techniques. Final project: book, sheet or installation.
| 6 | 75 |
|
Study of the audiovisual language as a tool for communication, expression and research. In-depth study of the physics of sound, softwares used and the analysis of sound art works. Creation of an AUDIOVISUAL following three phases: preparation, production and post-production.
| 8 | 100 |
| Further language and interpersonal skills, internships, etc. | 4 | / |
| Elective educational activities | 4 | / |
| Thesis | 8 | / |
Student Projects
Faculty
Community Voices
Unstable @ Maxxi
The artists Antifigure and Luca Di Gregorio discuss the exhibition Costruzioni Per.
Exhibition at RUFA Space: 07:22 – 17:20



