Photography is her main research tool, used to bring out synergies between the worlds of science and art. She addresses themes concerning human beings and their place in the world, also reflecting on their relationship with technology. She uses this language in both a classical and experimental way, paying particular attention both to the material aspect of the medium and to the various processing methods, even creating highly elaborate photomontages in which photography almost finds a new definition. Born in Rome in 1990, after studying Computer Engineering at the Università degli Studi di Roma La Sapienza, in 2017 she graduated in Photography from RUFA Rome University of Fine Arts. Since 2013 her works have been exhibited in various group exhibitions, including at Spazio Cerere of the Fondazione Pastificio Cerere in Rome (2016), at the Rome headquarters of the FAO Food and Agricolture Organization (2018) and at the Museo civico di Castel Nuovo, Maschio Angioino in Naples (2020).
La tecnologia ci ha privati del caso?
We have become accustomed to dealing with devices that simplify life and from which we expect unambiguous and predictable outcomes, giving us the confidence that we can control what happens. I initially believed that chance was a lack of information, which could ideally allow us to reconstruct a map of past and future events. I imagined it was possible to achieve omniscience, not yet attained because of the lack of
elements. These reflections led me to investigate a field that aspires to total knowledge and understanding of phenomena: science. The deeper I delved into fascinating fields, the further I moved away from my initial idea.
Is it really possible to achieve a complete understanding of the universe and control the infinite events that make it up? If this were not possible, would it make sense to live under the illusion that it is?
