Dear you,
I (r)esist between art and poetry since February 1996.
After classical high school studies, I realised that I needed to express myself emotionally, and I found this opportunity at R.U.F.A, graduating in February 2020.
I find it claustrophobic to have just one word capable of describing who I am and/or what I do; in fact, the only label I feel I can give myself is that of a multidisciplinary-human.
My existential research makes use of different methods of investigation such as graphic design, visual poetry, installation, perfomance, photography and video.
I have always been fascinated by the possibility of creating interconnections and relationships through an alternative means of expression, a fundamental element of a new way of communicating; investigating the relationship that exists between the inner and outer worlds, their continuous dance of cause and effect in which the human body becomes a means of exploring what each person hides within themselves, (in)visible to the eyes.
In 2020 I became an ENAC-certified pilot for S.A.P.R (A1/A2/A3) and in that same year I created a Cultural Association (LAPAGINABIANCA.docx) together with other human beings.
Today I work as a freelance human being and attend a master’s programme to become a digital compositor.
What do we talk about when we talk?
KATA LOGON – la poetica del (passato) tempo
“KATA LOGON – la poetica del (passato) tempo”, seeks to become a work in its own right.
The intention is to make clear a different vision of time, not chronological, but kairological. Fundamental is the care of the moment, captured in its characteristic of non-(re)presentation, and analysed according to the concept that each one has its own uniqueness.
That uniqueness which, accumulated as it passes, leads to the result of our days, our years and to the awareness of being the consequence of what we have lived.
It is not necessary to give time a meaning such as “present”, “past”, “future”, because this is a way of experiencing it that Augustine associated with the capacity for sensory perception that belongs to human beings as they exist; to feel the environment, to live all the moments we have at our disposal.
Understanding and becoming aware of how much time lies behind the creation of elective affinities and the gratitude placed in those who accompany us every day, our steps and how, unconsciously, they concretely become part of them.
People become the addition, the key to interpretation, the mechanism of this poetics that presents itself as the fulcrum of our continuous becoming.
