Caterina Tomeo is an art historian and combines her research activity with a critical and curatorial practice. She deals with Contemporary Art with a particular interest in interdisciplinarity and research in the field of New Media Art and Sonic Arts. She is coordinator of the MAD in “Multimedia Arts and Design” at RUFA – Rome University of Fine Arts, where she is also a lecturer. She is a Lecturer in the Master of “Sonic Arts” at the Faculty of Electronic Engineering of the “Tor Vergata” University in Rome; in the Master of “Economics and Management of Art and Culture” of the Sole 24 Ore Business School in Rome; in the Master of “Management of Art and Cultural Heritage” of Giunti Academy – School of Management in Florence. He has collaborated with international festivals dedicated to electronic music and contemporary culture; he is currently curator of the multimedia and talk section of Videocittà festival in Rome. He co-founded the Sound Studies Forum, the first research network on sound studies in Italy, in collaboration with the University of Urbino. His most recent publications include: “Sound Art. Ascoltare è come vedere” (Castelvecchi, 2017); “Sonic Arts. Tra esperienza percepettiva e ascolto attivo’ (Castelvecchi, 2019); the essay ‘Dance Dance. The Interzone between the Sound of Joy Division and the Rave Era”, in “Our vision touched the sky”, edited by A. Amendola and L. Barone (Rogas Edizioni, 2021); “Electronics is woman. Media, covers, transfeminist and queer practices”, edited by C. Attimonelli and C. Tomeo (Castelvecchi, 2022).